- How long to let the band play for contra 6, 6, 7 full#
- How long to let the band play for contra 6, 6, 7 tv#
- How long to let the band play for contra 6, 6, 7 free#
I’m not too interested or impressed by scientific proofs of academics of my personal efficacy in working here at the bench. It is a quick and guaranteed solution to a problem. More than that though, here I am, in the saddle, passing on my knowledge and skills in the realness of life and living in woodworking and I can’t say that I too don’t drift now and then and for a while. I guess it mostly helps to counter the early disappointments for many woodworkers and not just those new to the craft. That’s more than likely every two years on something like a 10mm plough plane cutter. Once done, you can sharpen several times at the 30-degree only position then go back in to take the main bevel back down to the cutting edge to start over.
Narrow chisels too soon go off course simply because of the narrow width and the lack of resistance you get with wider tool blades. So, why did I design my jig for a two-bevel cutting edge? These smaller blades are difficult to freehand and the major bevel being taken down first gets the bulk of the metal out of the way and establishes the squareness a plough plane needs for squared-off groove bottoms. I think mostly it’s because they are just a few steps away from mastering what it takes to be competent free-handers just a few periods of the self-correction it takes to establish what you need to freehand your sharpening forever and a few slants here and there is part of the discipline it takes to become super-efficient. Watching people set up their guides is often painful to me. But I do also think that there is a place for it too. I think I never saw the men I worked under or with using any kind of guide.
How long to let the band play for contra 6, 6, 7 free#
Though many people are not on that type of production schedule, they are often time-strapped and simple procedures like this can free up fifteen minutes in an hour if adopted.
In my world of making and making all day long to sell my work, these simple steps freed up my time by a significant amount. No step change and no resultant stopping yet no changes in quality of cut whatsoever. Then there is the type of bevel I love, the long camber from around 30-degrees at the cutting that drops to a 20 in a continuous, elliptical quadrant-bevel.
How long to let the band play for contra 6, 6, 7 tv#
Both the TV stand and then the wall shelf in front are made using 98% hand tools only no power planers or table saws, power routers, or any other such equipment. My ability to freehand gave me the edge over those using machine-only methods in many key areas like inlaying small sections, hinge recesses, truing up the fit of a drawer or a door into its opening, even cutting dovetails that were not on a big scale but still essential on one-off production pieces like say my TV stand here. It takes me twenty times faster to where I want to be and back in the zone of making to make me efficient throughout my work. My first benefit is the speed of sharpening free hand.
How long to let the band play for contra 6, 6, 7 full#
Freehand can even indulge a skew a little for good reason, even on or especially on narrower chisels where there could be a benefit to it for an internal corner, say, where the pins and tails are ultra-small and rely on as much internal precision as possible for full connection. Whereas square ends should never be allowed to drift too far to the left or right resulting in a skew, it is not so critical as many might think. Two main differences are the outcome I always strive for that are important to me. A questioner asked me about the difference between hand sharpening freehand and using a guide to get the angle as in a more recognisable wheel-supported Eclipse type whether the cutting edge was different or whether `I could maybe customise the outcome for a particular type of cut. I’m glad that the Sharpening Narrow Blades article from last week went well for everyone.
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